SHE CAN'T STAY WITH ME is a comedy about a woman who attains enlightenment by plotting to kill her irritating mother. I started writing SHE CAN'T STAY WITH ME after hearing friends say things like, "If my dad dies before my mom, I'll go nuts," and "I can't wait until I'm an orphan." That sentiment struck me as profoundly sad, so I wrote a comedy about it. The screenplay looks at the love/hate relationships that are universal in families, and it's all about what people will do to get the lives they want. And it's a scream. SHE CAN'T STAY WITH ME advanced in every competition I entered last year, including Austin, BlueCat, and Page International. The Film School chose it to open their new series of staged readings.
She Can't Stay With Me First Three
BOY GIRL BOY GIRL is a comedy about two high school seniors who, after an argument about sex and their relationship, have their sexes magically swapped by a mysterious substitute teacher - and they're the only ones who realize there's been a change. They race against the clock trying to decode the substitute's clues that will help them get their old bodies back before the change becomes permanent, but when they finally find him, there's something keeping him from changing them back. BOY GIRL BOY GIRL explores teen sexuality and relationships rather than simply having boob/dick jokes, and this sets it apart from other high school movies. It was funded by a grant from The Evergreen State College, and it advanced in several competitions, including both the comedy and fantasy categories of Austin.
COME ON is a comedy about two talk-radio seduction experts who fall in love with the same woman. The germ of this story is neurolinguistic programming (NLP), a real-world seduction technique that claims to help a man get any woman into bed in half an hour by using anchor phrases that make women think about sex. These anchor phrases are things like "below me" and "new direction," which sound like "blow me" and "nude erection." Honest. I was hired to write COME ON by a prodco that didn't survive the downturn, and I now own all the rights to it. I'm thinking about changing the title to NEW DIRECTIONS just to hear people say that a lot.
Come on Three Pages From Act 1


